Play Along Piano

Uploaders

SDG

Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.

SDG

2:42	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
Soprano		16	0	3	8	98%
Basso		17	0	5	6	81%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

Salve Regina, Josef Rheinberger, WoO 54 Nr. 1

SDG

3:00	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		17	0	7	7	100%
Basso		22	0	9	7	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		17	0	7	7	100%
Basso		22	0	9	7	100%
Soprano		17	0	6	8	100%
Tenore		15	0	6	7	100%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier

SDG

0:01	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
		17	3	4	6	100%
Alto		11	0	0	4	78%
Soprano		11	0	0	4	78%
Bass		11	0	0	4	53%
Tenor		11	0	0	4	53%

Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

Graduale, Locus iste, Anton Bruckner, WAB 23; á 4.

SDG

2:42	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
Soprano		16	0	3	8	98%
Basso		17	0	5	6	81%

Salve Regina, Josef Rheinberger, WoO 54, no. 1.

SDG

3:00	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		17	0	7	7	100%
Basso		22	0	9	7	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		17	0	7	7	100%
Basso		22	0	9	7	100%
Soprano		17	0	6	8	100%
Tenore		15	0	6	7	100%

O Heer, mijn God, wanneer ik in verwond'ring. Hoe groot zijt Gij. How great Thou art. Arrangement: Gertim (SDG).

SDG

3:14	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	2	4	6	95%
Tenor/Bass		21	0	7	6	95%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	2	4	6	95%
Tenor/Bass		21	0	7	6	95%
Bass Guitar		15	0	3	6	50%
Contrabass		15	0	3	6	50%

I love the Lord with all my heart, my soul, my strength, my mind. Arrangement: Gertim.

SDG

1:43	Est. Play Time
41	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		9	1	1	3	100%
Oboe		9	0	2	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		9	1	1	3	100%
Oboe		9	0	2	3	100%
Soprano/Alto		9	1	1	3	100%
Tenor/Bass		17	0	4	3	100%
Pedal		11	0	2	3	98%

'k Heb Jezus lief, hört Jesus ruft kommt alle her, Ernst Heinrich Gebhardt. Arrangement: Gertim.

SDG

1:43	Est. Play Time
41	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		9	1	1	3	100%
Oboe		9	0	2	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		9	1	1	3	100%
Oboe		9	0	2	3	100%
Pedal		11	0	2	3	98%
S A		9	1	1	3	94%
T B		17	0	4	3	94%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

'k Stel mijn vertrouwen op de Heer mijn God

SDG

1:16	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	2	3	100%
		12	0	3	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	2	3	100%
		12	0	3	3	100%
Voice		8	0	2	3	80%
		8	0	2	3	80%

Ere zij God. Dutch Christmas song. Sampleset: Giubiasco. Arrangement: Gertim.

SDG

2:20	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		9	0	1	8	100%
Contrabass		12	0	2	7	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		9	0	1	8	100%
Contrabass		12	0	2	7	100%
Flute		11	0	2	8	100%
Soprano/Alto		11	0	2	8	100%
Tenor/Bass		17	0	3	8	100%

God and God alone created all the things we call our own, is fit to take the universe's throne. Let everything that lives reserve its truest praise, for God and God alone. Steve Green. Phill McHugh. Creator, creation. SATB.

SDG

2:58	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		20	0	3	8	100%
		23	0	7	8	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		20	0	3	8	100%
		23	0	7	8	100%
Flute		15	0	1	8	100%
Horn in F		15	0	1	8	100%
Violin		15	0	1	8	100%
Contrabass		19	0	6	8	50%
Viola		14	0	2	8	50%
Violoncello		19	0	6	8	50%

Die Krähe, die Winterreise, Schubert, D.911, No.15 with own vocal recording, sung by Gertim (SDG).

SDG

1:57	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	19	10	4	100%
		30	23	13	4	100%
Voice		16	0	4	7	70%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	19	10	4	100%
		30	23	13	4	100%
Voice		16	0	4	7	70%

329. Wachet auf, ruft uns die Stimme. BWV 140 #7.

SDG

1:24	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	1	4	100%
Tenor/Bass		17	0	4	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	1	4	100%
Tenor/Bass		17	0	4	4	100%
Contrabass		15	0	3	3	50%
Violoncello		15	0	3	3	50%

History
Account

My Stats

Completed	Attempts	Play Time	Notes Played
Loading

History

Play Time	Progress	Notes Played	Accuracy	BPM
Loading

User Name

Advanced Search

Loading

Keyboard Size Limit

Show all Scores (Default)

88

76

61

Custom

Transposed Scores

Show all Scores (Default)

Hide Transposed Scores

Octave Clefs

Show all Scores (Default)

Hide Octave Clefs